Bibi Mohammed, of Imperial Fine Books, on how she got
into the world of rare books and fine bindings.
“So, what are the high spots in the bookstore now?” I
asked Bibi. And realised at once how foolish the question was in a room full of
high spots: fine bindings and rare books.
“Let me show you,” she said, getting up. I followed her
to a glass-fronted bookcase which she unlocked with a key that looked as
antiquarian as the surroundings, and carefully brought out an exquisitely bound
book. Fitzgerald’s Omar Khayyam, she
said softly, “And look, jewelled binding. By Paul Riviere,
I was inside Imperial Fine Books, owned and run by Bibi
Mohamed, one of very few high-end book dealers of Indian origin in the world of
fine books. And certainly the only Indian woman in the rare book business in
Something special
“Come have a look at this Kipling set, there’s
something special about it,” said Bibi. She slid a volume out and opened to the
title page, and placed her finger opposite the frontispiece: it was signed by
Kipling. She handed it to me. It occurred to me that this copy had been touched
by Kipling, probably held by him. And now I was holding it. “My God, you have
signed editions, too?”
“A few,” she said, smiling, and was already walking
away to another part of the bookstore. “Come”. It was the complete works of
Arthur Conan Doyle, signed by the author (once again it didn’t escape me that I
was handling the very copies that Conan Doyle had handled); 1930, bound in tan
morocco, all edges gilt, raised bands with marbled endpapers. The price?
$26,500. “Not too long ago we had a copy of The Fountainhead, signed and
inscribed by Ayn Rand.”
Imperial Fine Books feels like one of those finely
appointed libraries you see in a magazine or a movie set. Leather-bound books
from floor to ceiling, antique furniture around the room, and plush sofas to
sink into. On the open shelves were entire sets of Dickens, Emerson, Tolstoy,
Balzac, Hazlitt, Wordsworth, Browning, Conrad, Hardy, Melville and a few high
spots like first editions of
Many book collectors and rare book dealers consider
leather-bounds more decorative than valuable, preferring unsophisticated
(unrestored) bindings and first editions with dust jackets. Lacking jackets,
the leather-bounds look elegant and stately but uniform. Though, if you look
carefully, you’ll see the dazzling craftsmanship of gold tooling, raised bands,
and multi-coloured labels, off-setting the sameness of leather-bound spines.
Modern kinds
too
And in a bookshop full of fine bindings, leather-bounds
are the very picture of cosy antiquarian bookishness. I spent a little more
time looking at modern editions: leather sets of the entire run of Fleming’s
Bond books. It was oddly gratifying to see Goldfinger retooled in leather. The
last time I read from a Bond book it was a tattered paperback. I noticed that
the average cost of one volume here started at $1,500 and went up to $50,000
for a set. There were also a few modern editions for less. Fortunately, or
perhaps less fortunately, I was here merely to look, not buy, and to find out
more about Imperial Fine Books.
“Who are you?” I asked Bibi, “and how did you create
such a fine bookstore?”
“I’m originally from British Guyana, and many
generations before my family came from
“So Imperial Fine Books began in a basement?”
“You could say it did! Because I made my first sale
there.”
Success story
From a basement in the
“And the price?” I asked.
“$2,500; the Grolier books are collectibles.”
In the rare book trade, a dealer is usually called a
bookman, and it’s rare to spot a bookwoman. Bibi Mohammed has been a bookwoman
in the fine books business for 25 years now, and I was curious, before I left
the bookshop, to find out what the experience had meant to her.
“I can’t forget the time I outbid Sotheby’s for a
collection of Cosway bindings signed by CB Currie, and the day I acquired a
magnificent jewelled binding by Sangorski & Sutcliffe of Wordsworth poems,
adorned with l40 precious stones. What I’ve enjoyed most is putting whole
libraries together. It’s been a privilege to be surrounded by such fine books,
and to commune with them on a daily basis. I’ve been lucky, but also feel a
sense of destiny that I was meant to do this.”
http://www.hindu.com/mag/2009/09/06/stories/2009090650060200.htm